MOOG SUB37, SUB PHATTY, LITTLE PHATTY AND SLIM PHATTY
A DSI Pro 2 plays a sequence and sends two independent clock-synced CV step sequences to the Sub 37. One modulated the 37’s filter cutoff and the other (via CV Mapping) controls its Osc 2 frequency. The Sub 37 is processed by an Eventide H9, using the Vintage Delay algorithm.
In this example I’m using Ableton as a master clock, to provide beats and to route the MIDI data from Koushion to the Moog synths (Little Phatty & Slim Phatty) and a (clock synced) Line 6 Echo Pro. The heart of the timbres I’m using here come from sequencing (on both synths) Osc 2 frequency on an oscillator sync patch, and filter envelope decay.
I’m also sequencing Envelope Generator amount on the Slim Phatty for some additional variation. This just scratches the surface of everything you can do with this setup. The Moog synths were great to use for this since you can also see the CC sequencing in action.