Welcome to ExperimentalSynth. In this website I curate the videos from my YouTube channel, and mix in a bit more from my other creative outlets. Although some of them are instructional, I don’t consider the videos to be tutorials but rather “inspirationals”.
– Chris Stack
I’m currently exploring the Korg Minilogue XD. I tweaked the CV Input parameters on a few patches and set up a musical example with a DSI Pro 2 and Moog Voyager. I liked the resulting sound so much I made a quick video to preserve it, and show some of the places you can go when wandering in this direction.
The Krell Suite on Synth Expert
My album The Krell Suite was inspired by one of Make Noise’s Patch of the Week videos, a demo of their 0-Coast version of that abstract electronic music staple, The Krell Patch.
Based on Louis and Bebe Barron’s ground-breaking soundtrack for the movie Forbidden Planet, a krell patch (usually) uses a modular analog synthesizer to create a self generating soundscape. I used only this patch and Eventide Anthology plug-ins to create the album.
[more on SynthExpert]
IN THE PRESS
Art + Music + Technology Podcast
I was recently interviewed for Darwin Grosse’s podcast series. He has some great interviews in his collection. I’m very proud to be in such good company. [listen here]
Experimental Synth’s littleBits + Koushion + Ableton Demo – [article here]
The Alesis Andromeda A6 Synthesizer – [article here]
More articles on Synthtopia – [here]
Create Digital Music
Pushing the Guitar, Sound Further, with Moog Minifooger, Eventide H9 Stompboxes – [article here]
Watch iConnectAUDIO4+ Connect Absolutely Everything – [article here]
More articles on CDM – [here]
Koushion MIDI Step Sequencer New Features – [article here]
Introducing Jambé Drum Controller & Synthesis – [article here]
More articles on MatrixSynth – [here]
While I enjoy musical experimentation, I don’t do it so much as an end in itself but rather as a way of discovering new techniques to apply in earnest elsewhere, after these “proof of concept” excursions. My album Xenography is one of these “elsewheres”.
My vocal processing techniques were put to use in Lamentation 1& 2, and in Acai Moon. Moog Guitar experimentation gave the first three tracks much of their character, and Reaching Aleppo owes its subtle rhythmic pulses to DSI Pro 2 control voltage techniques I’ve come to love.
Take a listen…
A big synthesizer deserves a big video…
“This music crept by me upon the waters,
Allaying both their fury and my passion
With its sweet air. Thence I have followed it,
Or it hath drawn me rather. But ’tis gone.
No, it begins again.”
Shakespeare – The Tempest